sound forge for mac

Sound Forge is a digital audio editing suite by Magix Software GmbH, which is aimed at the Operating system · Microsoft Windows, macOS. Sound Forge Pro for Mac is the application of choice for a generation of creative and prolific artists, producers, and editors. Download MAGIX SOUND FORGE Pro Suite / 2.0.5 macOS for free at and many other applications -

Sound forge for mac -

Sound Forge

Audio editing software

Sound Forge (formerly known as Sonic Foundry Sound Forge,[3] and later as Sony Sound Forge[4]) is a digital audio editing suite by Magix Software GmbH, which is aimed at the professional and semi-professional markets. There are two versions of Sound Forge: Sound Forge Pro 12 released in April 2018[5] and Sound Forge Audio Studio 13 (formerly known as Sonic Foundry's Sound Forge LE) released in January 2019.[6] Both are well known digital audio editors and offer recording, audio editing, audio mastering and processing.

In 2003, Sonic Foundry, the former parent company of Sound Forge, faced losses and tough competition from much larger companies; and, as a result, agreed to sell its desktop audio and music production product family to Sony Pictures Digital for $18 million.[7] The software initially had Windows 3.x support, but after version 3.0 all support for 16-bit Windows was dropped. Additionally, Windows 95 support was dropped after Sound Forge 5.0.

On May 20, 2016 Sony announced that it would be selling the bulk of its creative software suite, including Sound Forge Pro, to Magix GmbH & Co. Magix announced via Facebook that their first new version of Sound Forge Audio Studio (Sound Forge Audio Studio 12) was released August 2017.[8]


  • Multi-channel or multitrack Recording
  • Voice activity detection using artificial intelligence[9]
  • Disc Description Protocol export[10]
  • High resolution audio support: 24-Bit, 32-Bit, 64-bit[11] (IEEE float) 192 kHz
  • Video support including AVI, WMV, and MPEG-1 and MPEG-2 (both PAL and NTSC) for use in frame by frame synchronization of audio and video
  • Real-time sample level wave editor
  • Ultra-high fidelity
  • Support for a wide variety of file formats: DSF (DSD), AA3/OMA (ATRAC), GIG (GigaSampler instrument), IVC (Intervoice), MP4 (including Apple Lossless), MPEG‑2 transport stream and PCA (Sony Perfect Clarity Audio). For working with audio‑for‑video, Pro 12 includes versatile video file support AVI, WMV, MPEG‑1 and MPEG‑2 (in PAL or NTSC) file formats[12]
  • DirectX and VST3[11] plugin support. Version 12 includes a vinyl restoration plug-in and Mastering Effects Bundle, powered by IZotope
  • Floating Plug-in Chain window for non-destructive effects processing
  • CD Architect 5.2 software that allows Disk-At-Once (DAO) CD burning
  • Batch conversion functionality
  • Spectrum analysis tools
  • White, pink, brown and filtered noise generators
  • DTMF/MFtone synthesis
  • External monitor support for DV and FireWire (IEEE 1394) devices

Supported formats[edit]

(i): Supported multichannel format

See also[edit]


External links[edit]


Sound Forge Pro for Mac


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Sound Forge Pro for Mac is a well built, highly customizable sound editing application that has industry standard audio processing features. It includes the ability to record astounding audio clarity and edit with absolute audio precision.

Sound Forge Pro for Mac comes with stacks of great features, including easy audio recording processes, deep editing tools, 64-bit AU and VST plug-in compatibility. It also includes file conversion automation with the included standalone batch processing application.

Key features include:

  • Advanced audio waveform editor.
  • Channel Converter.
  • Multiple edit modes.
  • Loudness metering.
  • Automatic time-based recording.
  • Multichannel audio recording.
  • Multichannel file editing and processing.
  • File conversion automation.
  • Gracenote CD album identification.
  • Supports 64-bit audio units and VST 2.x plug-ins.
  • 30-day free trial.

Sound Forge Pro for Mac provides you with crystal clear sound quality editing tools that you can use to record up to 32 simultaneous channels of 24-bit/192 kHz audio. Once your tracks are laid down then you can get on with the editing side of things. The application provides you with a superb range of tools to add effects and edit your tracks as you see fit.

Overall, Sound Forge Pro for Mac is a high quality application that has a fantastic user interface coupled with industry standard audio editing functionality. It supports multiple audio formats and has a massive selection of free HD sound effects. Try it for yourself today with a 30-day free trial, or purchase the full version to unlock all of Sound Forge Pro for Mac's advanced capabilities today.

Looking for the Windows version of Sound Forge Pro? Find it here.


MAGIX SOUND FORGE Pro for Mac 1.0.19 for Mac
Available languages:
  • English,
  • German,
  • Spanish,
  • French,
  • Italian,
  • Japanese,
  • Polish,
  • Chinese
Trial version
Date added:
Friday, September 21st 2018


We don't have any change log information yet for version 1.0.19 of MAGIX SOUND FORGE Pro for Mac. Sometimes publishers take a little while to make this information available, so please check back in a few days to see if it has been updated.

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SOUND FORGE Pro Mac 3 Review

SOUND FORGE Pro Mac 3 is a tool to edit and process audio in a very detailed manner – whether it’s audio recorded directly into the software, or opened from a pre-recorded file. Sometimes the DAW you work in just doesn’t give you enough detail and depth to get as surgical as you need, and this is where software like SOUND FORGE Pro steps up. SOUND FORGE Pro Mac 3 is also a great audio overview tool – providing options to master your finished tracks powerfully, batch convert files, meter loudness to commercial standards and tools to create great redbook (pre-production) CD images. All of this potentially falls outside the scope of DAW software, and so SoundForge Pro can provide a useful partnership to ensure your sound is pristine from creation to end product.


Splice Rent-to-Own

SOUND FORGE Pro Mac 3 looks good. It’s austere and sparse; not overly impressive looking. But it’s clean, and functional. When you’re diving into audio files to find and correct issues, you want to be able to see what’s going on quickly. And with this software you can. The main waveform(s) image takes up most of the GUI, and is clear and easy to see. As you zoom in the clarity continues, right down to sample level.

The customisation of the interface is good, with options over where to place a variety of useful informational windows, such as plugin lists, channel meters, file system, recording levels. You have control over where on the page to place them, and key commands to introduce and remove them. There is an option to edit multiple audio waveforms side by side or on top of one another, to give quick workflow and comparison windows.


The standard audio editing tools prevail; fades, trims, normalisation, gate, reverse, time stretch etc. Magix have smartly teamed up with Izotope, and offer RX and Ozone Elements bundled with SOUND FORGE Pro Mac 3. These software packs provide a variety of professional quality audio processes available from within the Ozone and RX collection. If you’re not familiar with either of them, check our linked reviews. They are industry leaders in audio correction and processing. To have Izotope products included in Soundforge is a very astute move. Part of their collaboration is the inclusion of Izotope’s excellent Dither and sample rate conversion algorithms.


This is an often overlooked, yet essential element to the music creation process. Whatever platform you’re releasing your music onto, there will be standards that you need to adhere to in order for your music to be accepted, or at the very least, not processed further by 3rd parties who won’t care what it sounds like. If your music is too loud for Spotify, or Apple music, for example, it will get processed, or just turned down. The old days of Louder is Better, is over. For television, or film, there are average loudness standards you need to adhere to. Soundforge provides a bundle of loudness metering options that cater to all those needs, including measuring average or integrated loudness using LUFS industry standards. I particularly liked the true peak meters; meters that measure the inter sample peaks, showing if the sound peaks between sample measurements. Now that the loudness wars are being won by the dynamics side, and there is more room for dynamic differentiation, loudness meters are becoming more important again. SOUND FORGE Pro Mac 3 has you covered. When you’ve finished mastering your track, and have printed it to the specs you want, you can double check by printing a loudness log, that gives all the necessary information needed for that track.

Cutting the Glitch

More often than not, glitches and clicks are sounds you don’t want in your finished product. When you’re not intentionally adding them, they can be a pain to source and clean up. I typically use software like Soundforge to clean up my audio before adding it to a project. Soundforge provides several methods of locating and cleaning up glitches and those pesky digital clips. Find/repair will automagically run through the audio and locate clicks and glitches. You can adjust the sensitivity, so it isn’t picking up claps or snare hits, for example. You can then repair them all with a click of a button, with different methods of healing, from copying the alternate channels audio, interpolating, or replacing with audio data immediately preceding. If the automatic process doesn’t suit, there is a pencil tool, that enables (with a great deal of care) you to draw the waveform in, smoothing any hard shelves that cause clipping. I loved this about my old audio editing programs, and I love it about this software. Failing all that, the RX elements bundle contains an excellent de-clicker and de-clipper from Izotope. So when it comes to glitches and clicks, you’re well covered.


Magix provides a few effects to further process your sound. SoundForge Pro also comes bundled with the aforementioned Izotope elements plugins, which contain several useful modules for audio correction and processing, such as de-hum and de-noise, for removing pesky glitches and whirs that you just don’t need on your audiofile. However the real power comes with the knowledge that you can load in your own AU’s and VSTs. This gives your entire processing collection access to sound forge. Moreover, you can also make a chain of plugins, and save as a preset, so if you’re batch processing files, and need the same plugins running through sound forge for each file, this will cross out hours of tedium, potentially. Another interesting element of the plugin chain is that you can automate the plugins you’re using. Select the VST or AU. and in the list of automatable parameters, turn on the ones you want to use, and click and drag the envelope created to shape the automation. Clicking creates nodes in the envelope, and right clicking gives you curve options between points. I did find that Soundforge seemed to crash when using certain plugins (Soundtoys did not play well), especially when trying to automate. So make sure to SAVE!! The chain setup of using and automating your own plugins is extremely useful, however, and is an excellent addition to the software. If the processing chain is fairly straightforward, and you don’t have to listen to each file, you can open it up in another software bundled with SoundForge Pro, called Convrt, and use that to batch process multiple files using the same plugin chain, cranking up the efficiency even higher.

Splice Sounds


SOUND FORGE Pro Mac 3 gives you the ability to master tracks well. they’ve included a couple of mastering plugins of their own, however I would recommend if you’re serious about mastering, find and use some 3rd party plugins built specifically for that purpose. Magix’s Wavehammer plugin; a combo limiter and volume maximiser worked pleasingly, I thought. Fairly transparent, so in a pinch, I’d throw that on a track to level it well. From there, you can open all the tracks you’ve worked on, select the order and metadata in the track listing, and burn the entire selection to a CD image. You can also archive the image if you’re working on someone else’s project, and need to keep an archive. Simple, and effective!

(Key) Commander

These are essential to a speedy workflow. SOUND FORGE Pro Mac 3 has the basics; the large scale overview, and what is there is great – movement around the file, setting time point markers, zoom controls; these are all great. But I kept looking for something that’s a bit deeper – some of the basic processing tools have no shortcut – fades, reverse, normalise, gain change etc. These are tools that are being used constantly when editing audio, and to have to menu dive for them is frustrating. What would be killer here is a key command customisation option, as in Logic – so you could assign whatever key commands to whatever processes you wanted. When it comes to the key commands that do exist, do NOT trust the manual – it is not correct in some circumstances.


SOUND FORGE Pro Mac 3 is a great audio editing software for MAC. Being a small market, there’s not too much competition out there. But I feel that Magix shouldn’t rest on its laurels because of that. It’s super clean, and processes audio quickly. I felt that it was missing a few things that would help speed editing immensely, and I became frustrated at the lack of them. namely; KEY COMMANDS.

Menu diving is so 2010. I want to access all the tools on the window immediately, to keep my flow going. Having to select a segment of audio, then go to a menu? I feel this is a big gap in the workflow process of soundforge3.It also felt a little shaky stability-wise every now and then. Certain plugins crash it, and selecting too big a repair window (in find/repair) will crash it. However, it is in software infancy, and is showing a lot of promise. The software has recently been bought out by Magix, so I have hopes for improvements and updates from here on out. I miss my old BIAS Peak, and sound designer II, so if this keeps going in the same direction I’m in!

Soundforge Pro 3 for Mac costs $249 (discounted at the moment from 449), and is available here.

DISCLOSURE: Our posts may contain affiliate links, meaning when you click the links and make a purchase, we receive a commission.

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About The Author

Andy Dollerson

Composer/Producer, and keyboard player. He has written and recorded soundtracks for a wide variety of media and co-owns with Jake Owen, a music production company that gives him an excuse to buy more analog gear.


Sound Forge Pro Mac 3 [Download]

The new version SOUND FORGE Pro Mac 3 has been especially developed for Mac, and done't just simplify workflows, but also delivers a wide spectrum of plug-ins. Record multichannel audio on up to 32 track simultaneously and in crystal clear quality of 64-hit and 192 kHz. Scan your tracks automatically to look for clipping and mix your audio material according to AES/EBU standards. Additional mastering plug-ins from manufacturers like iZotope with the Mastering & Repair Suite round off the functionality and make the SOUND FORGE Pro Mac 3 audio editor a true specialist for audio recording, editing, processing and mastering on macOS.

Mac Minimum System Requirements:Mac Recommended System Requirements:
  • Processor:   Intel Core 2 Duo, Core i3, Core i5, Core i7, Xeon processor
  • RAM:   2 GB RAM
  • Hard Disk:   200 MB for program installation
  • Video Card:   not required
  • Supported OS:   Mac El Capitan 10.11, Mac Yosemite 10.10, Mac Mavericks 10.9
  • Additional Requirements:   Supported import formats
    Audio: 3G2, 3GP, AAC, AIF, AMR, FLAC, CAF, M4A, MP3, MP4, SDII, SND, W64, WAV
    Supported export formats
    Audio: 3G2, 3GP, AAC, AIF, CAF, FLAC,M4A, MP3, MP4, SND, W64, WAV
SoundForgeSound Forge Pro Mac 3: rewritten and revitalised

RedShark Review: When Magix Audio took over Sound Forge Pro Mac from Sony, the application was in need of some serious updating. Happily, the first upgrade of the $299 sound editor by its new owners hits the mark.

The easiest update Magix has made to Sound Forge Pro Mac 3 must be the inclusion of iZotope’s newest RX 6 Elements and Ozone 7 plug-ins. But, luckily for us, Magix Audio didn’t simply stop there. Sound Forge Pro Mac finally becomes the sound editor with the ability to load audio streams of video files. The best news of all is that you can load a great many video file formats, including MOV, MP4, XAVC, XDCAM, AVCHD and others. I haven’t tested them all, but the ones mentioned here worked great.

Vide files can be dragged to Sound Forge Pro Mac 3 after which the app will automatically load only the audio component. It will take a while for some audio streams to finish loading, but once it has, Sound Forge Pro’s many tools, plug-ins, plug-in chains and export formats are all at your disposal. Some tools and plug-ins won’t work with more than two channels, though, which may be a problem with multi-channel recordings, eg. from an Atomos Shogun Flame or Inferno.

The strength of editing with Sound Forge Pro Mac has been its event-based editing paradigm. You enter the event-based mode as soon as you drag part of your audio to another location within the file or across open files. For example, if you have an interview with different retakes, cutting parts from a retake to the main “master” file places you in event mode. That mode allows you to mix the audio, replace it, nudge it into place, etc.

Unfortunately, the previous version of the app would often crash when in event mode. The new version is rock-solid. Together with, for example, iZotope’s also included Nektar Elements, Sound Forge Pro Mac 3 has become a really good sound editor for video and film.

As part of the review, I decided to record a short monologue with a GoPro HERO5 connected to a Shogun Flame. I ended up a rather muffled sounding voice recording. I loaded the video file into Sound Forge Pro, removed the noise with iZotope RX 6 Elements’ Voice Denoise and processed further with Nektar using the preset for voice-overs that I modified.

The result was a decent sounding voice recording that I added to a Final Cut Pro X timeline. Turning off the original sound lane and using the edited file instead finished the job in well under ten minutes.

Of course, the new version of Sound Forge Pro Mac has more to offer and some of the new features are also interesting for one-man or Indie filmmakers who want to create and publish their own soundtracks on iTunes. The app has a “Mastered for iTunes” preview. Furthermore, Sound Forge Pro Mac supports automatic loudness levelling and the creation of an archive when burning a master disc.

There’s a new Find/Repair tool, which has seven presets for the most common glitches in an audio file, including clipping and sound glitches. You can also play with the only two parameters — Level and Clip Length — in order to find/repair exactly what you need.

Finally, Magix Audio included a nice number of its own plug-ins in the new version. Included are Noise Gate, Chorus, Reverb, Simple Delay and Flange/Wah-Wah plug-ins.

Sound Forge Pro Mac 3 is a great replacement for the editor that Apple once included with FCP 7 and earlier versions. It costs €299.

sound forge for mac

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SOUND FORGE Pro Mac 3 - Full Tutorial for Beginners [+General Overview!]*

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